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Artistic patronage of the Neapolitan Angevin dynasty
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Artistic patronage of the Neapolitan Angevin dynasty : ウィキペディア英語版
Artistic patronage of the Neapolitan Angevin dynasty

The Artistic Patronage of the Neapolitan Angevin dynasty includes the creation of sculpture, architecture and paintings during the reigns of Charles I, Charles II and Robert of Anjou in the south of Italy.
In 1266, Charles of Anjou established the Neapolitan Angevin dynasty, a royal dynasty that ruled Naples until 1435. Upon taking the crown, Charles of Anjou (now Charles I) hoped to solidify his rule by commissioning great works of art for public display. Recognizing art’s potential as a political tool, Charles invited artists from France and Italy to join him at his court in Naples. Subsequent kings of Naples would also employ art as a means of validating their dynastic claims. This forged a tradition of artistic patronage in which the Royal Court of Naples functioned as an important artistic center, drawing artists and architects from throughout France and Italy. From their impressive artistic and architectural programs, emerged a Neapolitan variation of the French Gothic style that became increasingly dominated by Italian artistic developments.〔John T. Paoletti and Gary M. Radke, Art in Renaissance Italy, 3rd ed. (London: Laurence King Publishing, 2005), 128.〕 Artists such as Arnolfo di Cambio, Pietro Cavallini, and Simone Martini created works for the Angevin kings of Naples, contributing to the kingdom's wealth of artistic riches.
==Charles I of Anjou==


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